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Full Description
Weaving together first-person narratives of art practice, analytical accounts, and ethnographic research by artists and scholars in art history, theater, new media, music, and anthropology, this volume offers an overview of the wide range of conditions, processes, and motivations for artmaking among asylum seekers in view of Israel's continued legal obfuscation of the refugee status process.
With attention to the theorization of artistic production as a form of active, effective citizenship, it decenters these discourses to account for illiberal political contexts, geopolitical border zones and new disciplinary orientations, considering artmaking in contexts of danger and incarceration. This carefully curated collection seeks to highlight the place of African asylum seekers in an increasingly illiberal, nationalist Israel, and the role of art as a resistant, affirming, and life-sustaining practice.
A study of the social, political, and aesthetic considerations that asylum-seeking artists bring to their practice, Art Practice and Asylum in Israel will appeal to scholars across the social sciences with interests in migration and diaspora, art activism, and refugee studies.
Contents
Introduction: Art as a Form of Asylum Seeking in Israel; Part I: Sands; 1. Homemaking Through Artmaking: The Concepts of "Home" Among Eritrean Asylum-Seeking Artists in Israel; 2. Art and Activism: An Interview; 3. Imagining and Creating a Shared Home: Theatre with Asylum Seekers and Israeli Citizens; 4. Writing for Dear Life: The Art, Literature and I; 5. Art as Sudden Knowledge; Part II: Cities; 6. The Transgressive Art of Walking; 7. Keep Fighting: Photography in the Eritrean Community in Israel; 8A. The Art of Crafting Freedom: Kuchinate, Asylum-Seeking Women, and Resilience through the Arts; 8B. Sisters in Art, Strength in Community: The Inspiring Journey of Two Artists through Kuchinate, African Refugee Women's Collective; 9. The Rhythm of New Life: Music as Asylum in Tel Aviv's Congolese Community; 10. The Power of Song; Part III: Homes; 11. New Place, New Meanings: The Role of Traditional Hairstyles among Forced Migrant Women; 12. Self-Documentation as an Expression of Forced Migrants' Voices and "Home-Making"; 13. Light and Shade: Painting Black Womanhood in Exile; 14. Finding Your Words; Afterwards: At Home in Art



