Full Description
Campbell, Vidal and their contributors expand the notion of translation beyond linguistic, modal and medial borders to embrace posthumanist perspectives through a holistic experiential epistemology which envisions translation as engaged, situated social practice.
The first of two volumes, this book focuses on questions of materiality and play. Drawing together contributions on theory, methodology and practice from translators, scholars and practitioners working in the creative and performing arts, this book explores how contemporary, experiential acts of interpretation, mediation and negotiation can serve to bridge social and cultural discontinuities across time and space. These range from ancestral past to digital present, from rural to urban environments across the globe. Experiential translation applies a transdisciplinary lens to problematize views of translation and untranslatability traditionally bound by structuralist frames of reference and the reserve of professional linguistic translation. The chapters in this book apply this experiential lens to understand a pluriverse of creative translation practices where the translator's subject position in relation to the 'original' is transformed by the role of experimentation, creativity and play.
This book and its companion volume The Translation of Experience: Cultural Artefacts in Experiential Translation will be of particular interest to translators and arts practitioners, scholars and researchers in the transdisciplinary field of humanities.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
Funding: This work was supported by UKRI under AHRC Grant AH/V008234/1, awarded to Ricarda Vidal, King's College London (Principal Investigator) and Madeleine Campbell, University of Edinburgh (Co-Investigator).
Contents
Introduction: Materiality and play as affective and embodied means of (un)knowing Section 1: Material Exchanges 1. Experientiality of Meaning in Interlingual Translation: The Impossibility of Representation and the Illusion of Transfer 2. Experiencing Performance and Performing Experience: Translation, Fragmentation, and Composition on Stage, in Theory and in Practice 3. Translating 'Our World' through Sound: Domestication, Anthropomorphism and Incantation Section 2: Acts and Breakages 4. The Productive Embrace of Uncertainty: Asemic Writing, Drawing, Translation 5. Translating 'The Stone Breakers' by Una Marson: A Bridging Linguistic Experience 6. Collaborative Translation of a Multilayered Work of Electronic Literature: Synthetizing Michael Joyce's Afternoon, A story Section 3: Ateliers 7. Experimentation and Experience: The Artistic Translation of a Myriad of Languages 8. Translating from Music: The Soundscapes Course and its Theoretical and Practical Outcomes 9. (Re)discovering (Legal) Translation through the Experiential: Towards Empowering Intersemiotic Pedagogies based on Experimentation, Creativity and Play Afterword
