現代イギリス黒人女性作家たちの抵抗の文学 Reading to Resist : Contemporary Black British Women's Writing (Routledge Literary Studies in Social Justice)

現代イギリス黒人女性作家たちの抵抗の文学<br>Reading to Resist : Contemporary Black British Women's Writing (Routledge Literary Studies in Social Justice)

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現代イギリス黒人女性作家たちの抵抗の文学
Reading to Resist : Contemporary Black British Women's Writing (Routledge Literary Studies in Social Justice)

Scafe, Suzanne

ウェブストア価格 ¥39,859（本体¥36,236）
Routledge（2025/07発売）
外貨定価 US$ 190.00
ポイント 362pt

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製本 Hardcover:ハードカバー版／ページ数 166 p.
言語 ENG
商品コード 9781032546292
DDC分類 823.0099287

Full Description

This is the first book to focus on writing by black British women writers, using an approach that highlights the potential of this fiction to intervene into discourses that shape the worlds in which it is situated.

Reading to Resist: Contemporary Black British Women's Writing undertakes a close, innovative reading of the novels selected, one that focuses on the texts' aesthetics as well as their thematic engagement with the worlds of their readers and the worlds the texts themselves construct. Each chapter examines themes such as freedom and agency, moral understanding, and history, while also exploring issues of importance to the contemporary period such as well-being, success, and achievement. Reading to Resist: Contemporary Black British Women's Writing covers a broad range of texts including the work of internationally acclaimed writers such as Nadifa Mohamed, Zadie Smith, Diana Evans and Buchi Emecheta, as well as work by much less well-known writers such as Jacqueline Walker, Yvvette Edwards, and Jacqueline Roy.

Introduction 1. Resisting Voicelessness: Contemporary Black British Women's Autobiography 2. Wrongdoing and Repair in the Work of Yvvette Edwards, Zadie Smith and Nadifa Mohamed 3. "Saying Madness": Jacqueline Roy's The Fat Lady Sings and the Fiction of Diana Evans 4. Parting the Veil, Re-writing and Re-purposing the Past: Laura Fish's Strange Music and Sara Collins's The Confession of Frannie Langton 5. Mobility, Achievement, and Failure: Buchi Emecheta's Head above Water, Zadie Smith's NW, Swing Time, and Natasha Brown's Assembly