Gender-Based Violence in Latin American and Iberian Cinemas (Global Gender)

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Gender-Based Violence in Latin American and Iberian Cinemas (Global Gender)

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 224 p.
  • 言語 ENG
  • 商品コード 9781032336190
  • DDC分類 791.436522

Full Description

Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation.

This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyzes a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial, and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women's and LGBTQ subjects' resistance, the role of female film-makers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence.

This will be of significance for students and scholars in Latin American and Iberian studies, as well as in film studies, cultural studies, and gender and queer studies.

Contents

Preface by Leticia Sabsay; Screening Counter-Violence: An Introduction to Giving Account Beyond Memories of Trauma; Chapter 1 - Female Bodies on Lisbon's Margins: Space, Embodiment and (Dis)Possession in Alda e Maria (Pocas Pascoal, 2011); Chapter 2 - Women's Memories of Political Violence in Brazilian Cinema; Chapter 3 - Violence, Resistance and Female Agency in Filmic Representations of the Franco Regime; Chapter 4 - Renouncing Violence: Terrorism and Feminisation in Basque Cinema; Chapter 5 - Sexykiller (Miguel Martí, 2008): Female Psycho-killers and Post-feminism in Contemporary Spanish Horror Film; Chapter 6 - Horror, Gender Violence and Latin American Heteronormative Rhetoric as Mechanisms to Invoke a Queer Subjectivity in La memoria del muerto (Valentín Javier Diment, 2011); Chapter 7 - Torture, Masculinity, and Resistance in Chilean Documentary Film: Patricio Guzman and Marcela Said; Chapter 8 - War, Women and Post-hegemonic Representations in Magallanes (Salvador del Solar, 2015); Chapter 9 - Troubling Gender in Cuban Cinema: From History to Story; Chapter 10 - The Poetics of Affect in Documentary Film-making about Feminicidio in Ciudad Juárez, ; Chapter 11 - From Cinema to the Live Regime: Pedagogies of Cruelty and Social Anesthesia in Two Latin American Movies

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