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Full Description
Working-Class Women in Irish Literature and Theatre critically engages with works of theatre both by and about working-class women historically and presently. The work of J. M. Synge, Sean O'Casey and the Allegood Sisters has shaped working-class characterisation and representation on Irish stages, the impact of which still echoes today. Contemporary playwrights Rosaleen McDonagh, Frank McGuinness and Deirdre Kinahan have reframed the characterisation of working-class women by drawing out the intersection of social class with sexualities, ethnic minorities, and racial identities. While these playwrights have written working-class women into existence in the south, important work has also taken place in the north, where the work of Charabanc and JustUs has tirelessly striven to illuminate working-class women's lived experiences. This edited collection also includes the voices of directors, playwrights, and performers who identify as working class through interviews conducted with Louise Lowe, Veronica Dyas, Felispeaks, and Emmet Kirwan in order to offer first-hand accounts of their lived experience in the theatre industry.
Contents
Introduction: No Working-Class Women in Irish Culture? by Clara Mallon and Salomé Paul
Section One: Absent Presence: Working-Class Women in the Canon
Chapter One: "Not in Flesh": The Construction and Deconstruction of "Poor Woman" in Irish Theatre by Salomé Paul
Chapter Two: Working-Class Actresses and Working-Class Roles: Ireland in the 1910s and 1950s by Cathy Leeney
Chapter Three: The Juno Complex: Tracing Representations of Working-Class Women in Contemporary Dublin Theatre by Fiona Charleton
Section Two: Class, Convergence and Consciousness on the Contemporary Stage
Chapter Four: Theatre of Grace Dyas: Classed Re-Imaginings of Social and Cultural Histories by Clara Mallon and Salomé Paul
Chapter Five: "Who are you angry with?": Class, Race, and Conflict in the Plays of Rosaleen McDonagh by Justine Nakase
Chapter Six: Hope in the Face of Despair: (Re)Presenting Working-Class Women in Natural History of Hope by Clara Mallon
Chapter Seven: The Bearable, Bridgeable and the Imaginable: Deirdre Kinahan's The Unmanageable Sisters by Eamonn Jordan
Chapter Eight: "Wakened" Solidarity: Making the Invisible Visible for Working-Class Women in Frank McGuinness's The Factory Girls by David Cregan
Section Three: Fractured Existences: Women on the Periphery in Theatre in the North of Ireland
Chapter Nine: Women's Work: Challenging Social Dysfunction through Working-Class Women's Performance Practice in the North of Ireland by Ciara L. Murphy
Chapter Ten: Confinement, Resistance and Reclaiming Space in JustUs's Just a Prisoner's Wife by Michael Pierse
Section Four: Breaking Silence: In Conversation with Working-Class Artists
Chapter Eleven: In Conversation with Veronica Dyas
Chapter Twelve: In Conversation with Louise Lowe
Chapter Thirteen: In Conversation with Felispeaks
Chapter Fourteen: In Conversation with Emmet Kirwan
