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Full Description
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema.
The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts:
Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films.
Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema.
Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers.
This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.
Contents
Introduction Part 1 - Overview 1. In the shadow of critique: Major themes of Maghrebi cinema 2. The story of Iraqi cinema: A dream shattered by political and economic tribulations 3. Filmmaking and film cultures on the Arabian Peninsula 4. Development of the cinema industry in Egypt 5. Reimagining Sudan: Sufism, revolt, and national identity(ies)in film 6. Cinema in the Levant 7. Jordanian cinema: A burgeoning scene 8. Arab animation cinema: From sand to screen 9. The value chain of the film sector Part 2 - Gender representation 10. Gender representation in Algerian cinema 11. Cassettes, cameras, and computers: The gendering of media in Arab narrative cinema 12. Fictive witnessing: Leila Kilani's On the Edge and Kaouther Ben Hania's Beauty and the Dogs 13. Confused, rebellious, and depressed - Liberated women in Egyptian cinema 14. Marco: A Levantine queer encounter in London 15. Against "Double Erasure": Women's filmmaking in the aftermath of the uprisings in Yemen, Libya, and Saudi Arabia 16. The Gulf female gaze: Women filmmakers and the creative representation of sociopolitical issues in the GCC states Part 3 - Religion 17. "Fly, Horses of God, and the gates of paradise will open for you" - Radicalization and terrorism in Moroccan cinema 18. Religion, authority and morality codes in Arab cinema 19. From terrorist to pious believer: Depictions of Islam in Arab cinema 20. Can cinema slow the flow of blood? Part 4 - Politics of Identity 21. Political ideology and the shaping of modern Arab cinema 22. The problem of Palestine's place in a globalized Palestinian cinema 23. From the square to the screen: New subjectivity in post-Arab Spring Egyptian cinema 24. Filmmaking shadows - The pitfall of Morocco as Hollywood of Africa 25. Moroccan Amazigh cinema 26. Moving the image: Film in the Arabian Gulf Part 5 - Migration and Diaspora 27. Harragas: Algerian films about clandestine migration 28. Oppositional filmmaking in the diaspora 29. English intrusions in and contributions to polyglot Emirati cinema 30. Sudan's "diaspora" dilemma - Filmmaking amid the collapse of homeland Part 6 - Diasporic voices 31. Egyptian cinema: Dreaming of a fugitive culture 32. Outsider tales 33. Voices in exile 34. Home and back home 35. Film as a liminal space 36. From stills to moving images: Stories of dreams, fantasies and hope 37. Exploring cultural identity, representation, and creative boundaries
