Revisiting Shakespeare's Italian Resources : Memory and Reuse (Anglo-italian Renaissance Studies)

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Revisiting Shakespeare's Italian Resources : Memory and Reuse (Anglo-italian Renaissance Studies)

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  • 製本 Hardcover:ハードカバー版/ページ数 330 p.
  • 言語 ENG
  • 商品コード 9781032294445
  • DDC分類 822.33

Full Description

Revisiting Shakespeare's Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell'arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.

Contents

Acknowledgments

List of Contributors

INTRODUCTION

Silvia Bigliazzi

PARTE ONE: MEMORIES

1. "Memory, Intertextuality/Interdiscursivity and Reuse"

Savina Stevanato

2. "Whose Memory? From the "Rossignuol" to Female Communities in Groto and Shakespeare"

Silvia Bigliazzi

PART TWO: MEMORY AND REUSE

3. Welcome to Padua: Female Characters, Narrative Sources, and the Commedia dell'Arte in The Two Gentlemen of Verona

Melissa Walter

4. The Source as a Resonant Halo. Italian Neoplatonism in Twelfth Night

Rocco Coronato

5. Bandello's Novellas and The Merry Wives of Windsor

Roberta Zanoni

6. "Ed ebbono bene e buona ventura." Multi-Layered Echoes of Il Pecorone in The Merchant of Venice

Alessandra Squeo

7. Boccaccio's Bernabò, Shakespeare's Cymbeline, and Other Resources: A Keyword and Co-textual Analysis

Fabio Ciambella

PART THREE: REUSE AND MEMORY

8 "What country, friends, is this?": Displaced Identity and Homoerotic Desire in Twelfth Night and its Italian Models

Jason Lawrence

9. "The story that is printed in her blood": Patriarchal Authority in Much Ado About Nothing and Its Sources

Emanuel Stelzer

10. "Most strange, but yet most truly, will I speak": Female Agency from Cinthio to Shakespeare's Measure for Measure

Cristiano Ragni

11. Reviving Past "Models": Dolce's Marianna and the Intricacies of Othello's Crux

Beatrice Righetti

12. "As I please myself." Recollections and Reconfigurations of Female Agency in Ariosto's Suppositi, Gascoigne's Supposes and Shakespeare's The Taming of the Shrew

Silvia Silvestri

13. The Ring is the Thing: All's Well That Ends Well and its Mobile Circuitry

Eric Nicholson

AFTERWORD

Robert Henke

Index

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