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Full Description
This interdisciplinary volume explores the ancient Greek myth of Medea and its global analogues found in other mythic and folk tales of deadly, exiled women, such as those of La Malinche and La Llorona, examining the connections between these figures and their depictions from antiquity to modernity.
The book considers the figure of the foreign woman, her exile, fratricide, and infanticide, in its ancient Greek form and in global, postcolonial receptions in a range of media, including drama, film, novels, and the visual arts. The chapters illuminate the contradictions of considering the classical Medea as a central reference point for analysis of other female figures from peripheral territories, while simultaneously acknowledging the insights that such comparisons can yield. Emphasizing the ways in which Medea's seditious nature enables the establishment of an extensive and heterogeneous intertextual network with other mythic characters who represent a similarly disruptive role in their specific local historical and cultural contexts, the book argues for a comparative analysis that is equally attentive to myths and folk tales from all regions. These essays - by scholars of classics, comparative and world literatures, and postcolonial studies - represent a plurality of perspectives from different academic contexts in Africa, Latin America, North America, and Europe and examine how different cultures have depicted women, foreigners, crime, and abjection. The foundations of Greek myth and subsequently of the classical tradition itself are interrogated from a postcolonial perspective. In tracing the portrayals of Medea and other mythic women through the overlapping features of different female characters and plots, and intertwining local cultural and literary materials with broader debates, this volume challenges Eurocentric narratives of power and cultural domination, and works to decentralize the discussion of Medea from the exclusive domain of classical studies.
Medea's Long Shadow in Postcolonial Contexts will be of interest to students and scholars working on Greek tragedy and its reception, as well as to those studying postcolonial and global approaches to literature, culture, and gender studies.
Contents
Part 1 Reshaping Identities and Geographies 1. How Medea Challenged "Western Civilization": Europe's Imperial Imaginary in Pasolini's Medea 2. Archipelagic Medea: (Re)Productive Labor in Maryse Condeì, Toni Morrison and Cherriìe Moraga 3. The Medea Disorder and the Writing of the Nation in Ventos do Apocalipse by Paulina Chiziane 4. Curtailed Motherhoods and the Matrix of (Post)Colonialism: Chicana Hybrid Prototypes Part 2 Performing Transgression at the Borders 5. Medea‑Malinche, Malinche‑Medea? Identity and Transformation in Colonized Cultures 6. Medea in the Borderlands. The New Mestiza in Luis Alfaro's Mojada 7. Rereading Medea Across Borders—Cultural Encounters and Postcolonial Rewrites in Liz Lochhead's Medea, Yüksel Pazarkaya's Mediha and Cherríe Moraga's The Hungry Woman: A Mexican Medea 8. Medaaye: Patriarchy, Love and Exile in Nineteenth‑Century Yorubaland Part 3 Disseminating Reception, Reproduction and Waste 9. Hybridity and Alienation. Women's Narrative in Ana Castillo's So Far from God 10. Medea in the New Kingdom of Granada: Brujas, Hechiceras, Yerbateras 11. Medea in Gabon: A Postcolonial and Autobiographical Re‑telling of the Medea Myth in Bessora's Novel Petroleum 12. "Not Before the People": Filicide, Revenge, and Ob‑scenity in Andrés Baiz's Satanás 13. Reappropriation, Itinerancy, and Waste in Vik Muniz's Medea
