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Full Description
This book chronicles the rise and the development of postcolonial agency since Africa's encounter with Western modernity through African and African diaspora literature and film.
Using African and African diasporic imaginaries (creative writings, autobiographies, polemical writings, and filmic media), the author shows how African subjects have resisted enslavement and colonial domination over the past centuries, and how they have sought to reshape "global modernity". Authors and film makers whose works are examined in detail include Olaudah Equiano, Haile Gerima, Amma Asante, George Washington Williams, William Sheppard, Wole Soyinka, Dani Kouyaté, Chris Abani, Chimamanda Adichie, and Leila Aboulela.
Providing a critical study of nativism, hybridity and post-hybrid conjunctive consciousness, this book will be of interest to students and scholars of African and African diasporic literature, history, and cultural studies.
Contents
Table of Contents
ACKNOWLEGDEMENTS *
INTRODUCTION *
I. THE ENSLAVED AFRICAN AND POSTCOLONIAL AGENCY *
1. Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, The African, Written by Himself; Haile Gerima's Sankofa (film); Amma Asante's Belle (film) *
II. THE BLACK AMERICAN STRANGER AND POSTCOLONIAL AGENCY IN AFRICA: THE CONGO NARRATIVE *
2. The Anti-Enslavement/-Colonial Activist: George Washington Williams (1849-1891) *
3. The Postcolonial Pragmatist: William Henry Sheppard (1865-1927) *
4. The Other Allies *
III. ARTICULATIONS OF POSTCOLONIAL AGENCY IN CONTEMPORARY AFRICAN LITERATURE *
5. The Colonial Encounter and Postcolonial Agency in Wole Soyinka's Death and the King's Horseman and Dani Kouyaté's Keita! L'éritage du Griot (Film) *
6. Postcolonial Conjunctive Consciousness in the Literature of the New African Diaspora: Chris Abani's The Virgin of Flames, Chimamanda Ngozi Adichie's Americanah, Leila Aboulela's The Translator *
CODA: Francis Abiola Irele and the African Imagination *
BIBLIOGRAPHY *
FILMOGRAPHY *
INDEX *
