Full Description
This book illustrates how social meanings provided by music are experienced throughout the course of life. To this end, the author examines in depth the concepts of self, identity, socialization, and the life course itself.
Social scientists have traditionally focused on music experiences among different generations, one at a time, with an emphasis on young audiences. This book explores appreciation for and use of music as a dynamic process that does not begin when we enter adolescence, nor end when we become adults. It demonstrates the relationship between the experience of music and the experience of self as a fundamental feature of the more general relationship of the individual to society. Music completes the circle of life. The author bases his analysis on observations made through a variety of qualitative studies and methodologies, as well as his own music autobiography.
Clear and jargon free, this book is a timely application of key concepts from the everyday life sociologies for scholars and students in the sociology of music and culture and other related disciplines such as anthropology and ethnomusicology. It will be of interest for upper-division undergraduate and graduate courses in culture, music, symbolic interaction, social psychology, and qualitative research methods.
Contents
Introduction
1 Early Childhood: The Music-Self as Being
2 Later Childhood/Early Adolescence: Experimenting with the Music-Self
3 Later Adolescence and the Becoming of the Music-Self
4 Becoming of the Music-Self in Early Adulthood
5 Adulthood: "Still Becoming"
6 International Experiences of the Adult Music-Self
7 The Early Elders' Music-Self as "Been There"
8 Community as the Vortex for Music and the Self
9 Compassion for Later Elders and Music at the End of Life: The Music-Self Comes Full Circle
Conclusion
