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Full Description
This book is about the power of story-telling and the place of myth in the cultural memory of ancient Mesopotamia. Rather than reducing mythology to an archaic state of the mind, this study redefines myth as a system of knowledge (episteme) and part of cognitive and cultural experience serving as an explanatory system. It demonstrates how among the multiple ways of world-making (Nelson Goodman) myth not only reflects experiences and reality but also constitutes reality in text and image alike. Drawing on cognitive semiotics, visual studies, and cognitive narratology, it explores the power of the image in showing and revealing something that is absent (deixis). Thus, it demonstrates the contribution of the image to knowledge production. The book calls for re-introducing meaning when dealing with the imagery and iconology of ancient Mesopotamia and introduces an innovative approach to the art history of the ancient Near East.
Contents
Acknowledgements; List of Figures; Part I. Imagination and the Power of Story-Telling: What this Book is About; Part II. Explorations of Myth in Assyriology: Part III. Reviving Myth as Conceptual Metaphor: Mythos as Mode of Thought; Part IV. Mythic Narrative as a Fundamental Instrument of Thought: The Explanatory, Orientational, and World-Making Functions of Myth; Part V. Mythos as Mode of Remembrance and Its Re-actualization in the Image: Part VI. The Mythos of the Chaoskampf and the Conflict Myths Informing the Royal Pictorial Repertoire: Part VII. Projecting Myth onto the Landscape: A Multi-Modal Approach; Part VIII. Marking Myth on the Body: Part IX. Ekphrasis or the 'Verbal Enactment of the Gaze to Relate with and Penetrate the Object': Part X. The Agency Behind the Creation Process of Text and Image: Epilogue.
