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Full Description
Widening the perspective offered by the traditional canon, this history reveals the poetry of Italy between 1200 and 1600 as a site of plurality of genre, form and even language, including not just written texts but also those presented in performance. Within this inclusive framing, poetry's content, its cultural and geographical contexts and its material media of transmission are given equal weight. Decentring major figures and their texts while recognising their broad influence, the innovative theoretical and methodological framework complements the variety and liveliness of poetic activity on the Italian peninsula over four centuries, from the first manuscript experiments in verse through to sophisticated print productions and elaborate performance media. Offering original, multidisciplinary insights into current debates and discoveries, this history enlarges the scope of what we understand Italian premodern poetry to be.
Contents
1. Positioning poetry Guyda Armstrong, Rhiannon Daniels and Catherine Keen; Part I. 1200-1450: 2. The sonnet and the sonnet sequence Manuele Gragnolati; 3. Gender and the voicing of sexuality Cary Howie; 4. Versified hagiography and praise of women Helena Phillips-Robins and Heather Webb; 5. Adventures in narrative Catherine Keen; 6. Boccaccio's experiments in form Guyda Armstrong; 7. Commentary and canonisation Simon Gilson; 8. Editing and visualising poetry from the 1300s to the present H. Wayne Storey; Part II. 1450-1600: 9. Performing, writing and printing poetry from 1450 to 1600 Brian Richardson; 10. Classical legacies in neo-latin poetry Maude Vanhaelen; 11. Vernacular comedy and satire Federica Signoriello; 12. Fantasy and chivalry in high and low culture Luca Degl'Innocenti; 13. Anthologies in the age of print Federica Pich; 14. Artists writing in verse Ita Mac Carthy; 15. Performance in music and on stage Lisa Sampson; 16. Building a library with poetry Rhiannon Daniels.
