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Full Description
Bertolt Brecht continues to be regarded as one of the twentieth century's most controversial and influential writers. His life and work raise important questions about the nature and function of literature and theater, about perception and commitment, about feminist approaches to politics and literature, and about intellectual property rights. The Brecht Yearbook is a venue for discussion about aspects of theater and literature that were of particular interest to Brecht, especially the politics of literature and the politics of theater in a global context. The volume Brecht in / and Asia contains twenty-six essays based on presentations given at "Brecht in/and Asia,"the thirteenth Symposium of the International Brecht Society (IBS), which was held at the University of Hawai'i at Manoa in 2010. Themes covered include Brecht in India; contemporary Chinese theater; the 'Chinese' Brecht; tradition, Brecht, and political theater; Brecht between imperialism and postcolonialism, orient and occident; Fritz Bennewitz's intercultural Brecht productions; and Brecht('s) adaptations.
Contents
Editorial Brecht in India / Brecht in Indien Richard Schechner (New York) Malleable Brecht: The Performance Group\u2019s Mother Courage in India, 1976 Amal Allana (Delhi) Brecht: A Participant in the Process of Nation-Building Boris Dauss\u00e0-Pastor (New York) Estrangement in Kathakali Contemporary Japanese Theater / Japanisches Gegenwartstheater Michiko Tanigawa (Tokyo) Die Stellung des Black Tent Theaters in der japanischen Brecht-Rezeption Joachim Lucchesi (Berlin) Jan-Jan-Oper und Osaka Rap Teil 1: Brecht-Nachkl\u00e4nge im Theater Ishinha Akira Ichikawa (Osaka) Jan-Jan-Oper und Osaka Rap Teil 2: Yukichi Matsumotos Mizumachi und Keaton The \u201cChinese\u201d Brecht / Der \u201cchinesische\u201d Brecht Andreas Aurin (Sydney) Towards a Taoist Reading of the Lehrstu¨ck The Horatians and the Curiatians Weijia Li (Macomb) Braveness in Non-Action: The Taoist Strategy of Survival in Bertolt Brecht\u2019s Schweyk and Anna Seghers\u2019 Transit Zheng Jie (Singapore) Brecht\u2019s Good Person and Traditional Humanistic Chinese Philosophy: Towards an Ethical Subject Gu¨nther Heeg (Leipzig) Brechts chinesische Wendungen: Me-ti und die Praxis kultureller Flexionen Yuan Tan (Wuhan) Unter der chinesischen Maske: Neue Studien zu Brechts „Sechs chinesischen Gedichten\u201c Eberhard Fritz (Altshausen) Die Gro\u00dfmutter, der Pietismus und die Missionare: Neue biografische Erkl\u00e4rungsans\u00e4tze in Bezug auf Brechts „chinesisches Werk\u201c Friedemann Weidauer (Storrs) Brecht\u2019s (Brush with) Maoism Tradition—Brecht—Political Theater / Tradition—Brecht—Politisches Theater Farzana Akhter (Dhaka) Performing Brecht in Bangladesh: Making the Unfamiliar Familiar Parichat Jungwiwattanaporn (Bangkok) Brechtian Theater Meets Buddhist Aesthetics: Kamron Gunatilaka\u2019s The Revolutionist Jan Creutzenberg (Seoul) The Good Person of Korea: Lee Jaram 's Sacheon-ga as a Dialogue between Brecht and Pansori Brecht between Imperialism and Postcolonialism, Orient and Occident / Brecht zwischen Imperialismus und Postkolonialismus, Orient und Okzident Marc Silberman (Madison) A Postcolonial Brecht? Melissa Dinsman (Notre Dame) Imperial Brecht? Bertolt Brecht\u2019s Complex Portrayal of Empire in Mann ist Mann Gudrun Tabbert-Jones (Santa Clara) The \u201cLord of the South See\u201d and His \u201cMaori Woman:\u201d The Function of the Tahiti Metaphor in Brecht\u2019s Early Works Martin Revermann (Toronto) Brecht\u2019s Asia vs. Brecht\u2019s Greece: Cultural Constructs and the Explanatory Power of a Binary Fritz Bennewitz\u2019s Intercultural Brecht Productions / Fritz Bennewitz\u2019 interkulturelle Brecht-Inszenierungen Rolf Rohmer (Leipzig) Ann\u00e4herungen an den Interkulturalismus mit Brecht: Fritz Bennewitz\u2019 Theaterarbeit in Asien Joerg Esleben (Ottawa) From Didactic to Dialectic Intercultural Theater: Fritz Bennewitz and the 1973 Production of the Caucasian Chalk Circle in Mumbai David G. John (Waterloo) Fritz Bennewitz\u2019s Islamic Chalk Circle in the Philippines Brecht(\u2019s) Adaptations / Brecht(s) Bearbeitungen Dennis Carroll (Honolulu) Wuolijoki, Brecht, \u201cWell Made\u201d Dramaturgy, and The Judith of Shimoda Markus Wessendorf (Honolulu) \u201cFear and Misery\u201d Post-9/11: Mark Ravenhill\u2019s Shoot/Get Treasure/Repeat Conspectus Antony Tatlow (Dublin) Brecht\u2019s East Asia
