シェイクスピアの形而上学 Shakespearean Metaphysics (Shakespeare Now!)

シェイクスピアの形而上学<br>Shakespearean Metaphysics (Shakespeare Now!)

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シェイクスピアの形而上学
Shakespearean Metaphysics (Shakespeare Now!)

Witmore, Michael

ウェブストア価格 ¥31,046（本体¥28,224）
Continuum International Publishing Group Ltd.（2008/10発売）
外貨定価 US$ 150.00
ポイント 282pt

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製本 Hardcover:ハードカバー版／ページ数 156 p.
言語 ENG
商品コード 9780826490438
DDC分類 822.33

基本説明

Through close readings of three major plays-The Tempest, King Lear and Twelfth Night-Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes and 'answer' to metaphysical questions raised by later thinkers such as Spinoza, Bergson, and Whitehead.

Full Description

This title offers a fresh approach to the plays that suggests they can be seen as metaphysical 'experiments' conducted in the medium of drama.Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. "Shakespearean Metaphysics" argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism.Through close readings of three major plays - "The Tempest", "King Lear" and "Twelfth Night" - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers such as Spinoza, Bergson, and Whitehead.
Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production."Shakespeare Now!" is a series of short books that engage imaginatively and often provocatively with the possibilities of Shakespeare's plays. It goes back to the source - the most living language imaginable - and recaptures the excitement, audacity and surprise of Shakespeare. It will return you to the plays with opened eyes.

General Editors' Preface; Acknowledgements; 1.Shakespearean Metaphysics and the Drama of Immanence; 2.Whitehead and the Final Satisfaction of Twelfth Night; 3.Lear's Intensity, Bergson's Divided Kingdom; 4. Spinoza and The Tempest: An Island of One Bibliographical Note and Further Reading; Index.