映画分析入門<br>An Introduction to Film Analysis : Technique and Meaning in Narrative Film

映画分析入門
An Introduction to Film Analysis : Technique and Meaning in Narrative Film

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  • 製本 Hardcover:ハードカバー版/ページ数 229 p./サイズ 160 illus.
  • 言語 ENG
  • 商品コード 9780826430014
  • DDC分類 791.4309

基本説明

Composed in an accessible style yet conversant with the latest, most advanced critical theories and methods, this innovative textbook can be reliably used on both the undergraduate and the graduate level.

Full Description


An Introduction to Film Analysis combines an introduction to filmmaking technique with rigorous and comprehensive training in film interpretation. Composed in an accessible style yet conversant with the latest, most advanced critical theories and methods, this innovative textbook can be reliably used on both the undergraduate and the graduate level. The book begins with chapters that familiarize students with the basic components of film technique. It connects technique to meaning and demonstrates, through numerous examples, how particular uses of film technique generate different meanings. Students will learn how films are made and how values are promoted, ideas communicated, and rhetorical arguments advanced through film technique. The second part of the book covers a range of interpretive methods, theories, and concerns. In each section, the author offers a sample reading of a film, followed by an "interpretive exercise" with suggestions for students to use in performing their own film interpretation. Carefully structured, beautifully written, and illustrated throughout, An Introduction to Film Analysis provides a thorough grounding in the subject for students around the world.

Contents

IntroductionMeaning in Movies Shot-by-Shot AnalysisWriting About Film: The Art of Active ViewingPart One: Technique and MeaningChapter One - Composition Chapter Two - Camera Work Chapter Three - Editing Chapter Four - Art Direction (Set, Lighting, Color, Sound)Chapter Five - NarrationChapter Six - Metaphor, Structure, Character, MotifChapter Seven - Film Style: Realism and ExpressionismPart Two: Critical AnalysisChapter Eight - Historical CriticismChapter Nine - Structuralist CriticismChapter Ten - Psychological CriticismChapter Eleven - Ideological CriticismChapter Twelve - Gender CriticismChapter Thirteen - Ethnic CriticismChapter Fourteen - Political CriticismChapter Fifteen - Poststructuralist CriticismChapter Sixteen - Scientific Criticism: Evolutionary TheoryIndex

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