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基本説明
Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic «decadence,» «Americanness,» and «Germanness.» In addition, Eisenhauer applies key concepts of Walter Benjamin's Arcades Project to New York City after 1920. Finally, Eisenhauer suggests affinities between two fictions of immortality Glass's Flounder and Hamill's Forever, before returning to the downtown scene for remarks on Richard Foreman's Ontological-Hysteric Theatre.