Full Description
Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today.
Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies.
Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.
Contents
Table of Contents
Series Foreword
Neil Lerner
List of Contributors
Preface: Sounds Like Action!
James Buhler and Mark Durrand
Part I: Action Scored: Politics, Representation, and Identity
Favela Chic in Action
Soundtracking Urban Violence in Rio de Janeiro, Brazil
K.E. Goldschmitt
"You're Not Gonna Get Mushy on Me, Are You?"
Music and the New Man in 1990s Hollywood Action Film
Rebecca Fülöp
"I Am No Lady When I Fight!"
Gender Politics in the Postwar Swashbuckler Score
Grace Edgar
Reviving the Swordplay Action Film
Nature, Technology, and the Soundtrack for Seven Samurai
Brooke McCorkle Okazaki
Conan the Neoliberal?
The Sounds of Hypermasculine Entrepreneurship
in Early Reaganite Film
James Deaville
Part II: Action Scores: Evolving Musical Conventions
Underscoring Chased Heroes and Robbing Villains
Music of Immediacy in New Hollywood Action Thrillers
of the late 1960s and 1970s
Michael Baumgartner
John Williams's Action Music in the Twenty-First Century
Frank Lehman
"There and Back Again"
Music and Generic Transformation in Peter Jackson's Hobbit Films
Stephen C. Meyer
Star Trek as Action Film
Reimagining The Original Series' Soundscape
Paul Sommerfeld
A Tale of Two Cinemas:
Zashchitniki (Guardians, 2017) and
Music for the New Russian Superhero Film
Joan Titus
Part III: Scoring Action: The Kinesthetic Experience and Production
"Those Who Dance"
Popular Music, Audiovisual Editing, and Meaning across
the Guardians of the Galaxy Franchise
Catrin Watts
Toward a Musical Understanding of Cinematic Action:
Two Experiments with Embodiment and Musical Vitality
in Film Experience
Mark Durrand
Sound-Induced Visual Illusion in Film
Sarah Louden
"Humming the Foley, Singing the Sound"
Designing Sound with a Musical Perspective
Vanessa Theme Ament
Music, Digital Audio, Labor:
Notes on Audio and Music Production
for the Contemporary Action Film
James Buhler
Index
