Adventures in Shondaland : Identity Politics and the Power of Representation

個数:
  • ポイントキャンペーン

Adventures in Shondaland : Identity Politics and the Power of Representation

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 278 p.
  • 言語 ENG
  • 商品コード 9780813596327
  • DDC分類 791.450232092

Full Description

Innovator Award for Edited Collection from the Central States Communication Association (CSCA)

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey's Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, The Catch, For The People, and Station 19. Rhimes's work is attentive to identity politics, "post-" identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes's contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.  

Contents

Contents
Introduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century
Michaela D. E. Meyer and Rachel Alicia Griffin

Part I: Quality Television's Cultural Dominance: The Auteur Comes to Television Studies
Chapter 1: Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland
Richard G. Jones, Jr. and Emily Vajjala

Chapter 2: Wounded Detachments, Differential Alliances: Beyond Identity & Telos in Shondaland's Heterotopia
Joan Faber McAlister

Chapter 3: Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions
Jessica L. Furgerson

Chapter 4: Soundtracking Shondaland: Televisual Identity Mapped Through Music
Jennifer Billinson and Michaela D.E. Meyer

Part II: Shondaland's Paradoxical Identity Politics and the Fantastical "Post-"
Chapter 5: Race (Lost and Found) in Shondaland: The Rise of Multiculuralism in Primetime Network Television
Jade Petermon

Chapter 6: Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy
Shadee Abdi and Bernadette Marie Calafell

Chapter 7: The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy
Stephanie L. Young and Vincent Pham

Chapter 8: Interracial Intimacies: From Shondaland to the Post-racial Promised Land
Myra Washington and Tina M. Harris

Part III: Consumption, Ethics, and Morality: Shondaland Fandom as Cultural Meaning Making
Chapter 9: #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to 'The Lawn Chair' Episode
Mark P. Orbe

Chapter 10: Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television
Mary Ingram-Waters and Leslie Balderas

Chapter 11: Media Criticism & Morality Policing on Twitter: Fan Responses to How to Get Away with Murder
Melissa Ames

Chapter 12: Dying for the Next Episode: Living and Working Within Shondaland's Medical Universe
Sean Swenson

Notes on Contributors
Index