近代初期の情念を読む：感情の文化史論文集 Reading the Early Modern Passions : Essays in the Cultural History of Emotion

近代初期の情念を読む：感情の文化史論文集<br>Reading the Early Modern Passions : Essays in the Cultural History of Emotion

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近代初期の情念を読む：感情の文化史論文集
Reading the Early Modern Passions : Essays in the Cultural History of Emotion

Paster, Gail Kern (EDT)/ Rowe, Katherine (EDT)/ Floyd-Wilson, Mary (EDT)

ウェブストア価格 ¥6,941（本体¥6,310）
University of Pennsylvania Press（2004/06発売）
外貨定価 US$ 34.95
ポイント 63pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 392 p.
言語 ENG
商品コード 9780812218725
DDC分類 809.93353

基本説明

Offers fourteen interdisciplinary essays on the meanings and representations of the emotional universe of Renaissance Europe in literature, music, and art.

Full Description

How translatable is the language of the emotions across cultures and time? What connotations of particular emotions, strongly felt in the early modern period, have faded or shifted completely in our own? If Western culture has traditionally held emotion to be hostile to reason and the production of scientific knowledge, why and how have the passions been lauded as windows to higher truths? Assessing the changing discourses of feeling and their relevance to the cultural history of affect, Reading the Early Modern Passions offers fourteen interdisciplinary essays on the meanings and representations of the emotional universe of Renaissance Europe in literature, music, and art.
Many in the early modern era were preoccupied by the relation of passion to action and believed the passions to be a natural force requiring stringent mental and physical disciplines. In speaking to the question of the historicity and variability of emotions within individuals, several of these essays investigate specific emotions, such as sadness, courage, and fear. Other essays turn to emotions spread throughout society by contemporary events, such as a ruler's death, the outbreak of war, or religious schism, and discuss how such emotions have widespread consequences in both social practice and theory.
Addressing anxieties about the power of emotions; their relation to the public good; their centrality in promoting or disturbing an individual's relation to God, to monarch, and to fellow human beings, the authors also look at the ways emotion serves as a marker or determinant of gender, ethnicity, and humanity. Contributors to the volume include Zirka Filipczak, Victoria Kahn, Michael Schoenfeldt, Bruce Smith, Richard Strier, and Gary Tomlinson.

Introduction: Reading the Early Modern Passions
PART I. EARLY MODERN EMOTION SCRIPTS
1. Against the Rule of Reason: Praise of Passion from Petrarch to Luther to Shakespeare to Herbert - Richard Strier
2. "Commotion Strange": Passion in Paradise Lost - Michael Schoenfeldt
3. Poses and Passions: Mona Lisa's "Closely Folded" Hands - Zirka Z. Filipczak
4. Compassion in the Public Sphere of Milton and King Charles - John Staines
PART II. HISTORICAL PHENOMENOLOGY
5. Melancholy Cats, Lugged Bears, and Early Modern Cosmology: Reading Shakespeare's Psychological Materialism Across the Species Barrier - Gail Kern Paster
6. English Mettle - Mary Floyd-Wilson
7. Hearing Green - Bruce Smith
8. Humoral Knowledge and Liberal Cognition in Davenant's Macbeth - Katherine Rowe
9. Five Pictures of Pathos - Gary Tomlinson
PART III. DISCIPLINARY BOUNDARIES
10. The Passions and the Interests in Early Modern Europe: The Case of Guarini's Il Pastor fido - Victoria Kahn
11. Sadness in The Faerie Queene - Douglas Trevor
12. "Par Accident": The Public Work of Early Modern Theater - Jane Tylus
13. Strange Alteration: Physiology and Psychology from Galen to Rabelais - Timothy Hampton
Notes
List of Contributors
Index
Acknowledgments