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Full Description
How modernist interartistic experimentation and the proliferation of new media technologies inspired fresh insights into poetry Isobel Palmer spotlights Russian modernist poets' and formalist theorists' conscious engagement with formal convention, showing how their efforts were tied up with broader attempts in the early Soviet era to understand and articulate the nature of poetry and its most characteristic devices. Returning to critical debates around poetic encounters with three key aesthetic categories—rhythm, image, and voice—Palmer unpacks the period's deeper interest in the material bases of poetic speech itself. Through fresh, incisive readings of canonical poets and theorists, from Andrei Bely and Vladimir Mayakovsky to Yury Tynianov and Viktor Shklovsky, Revolutions in Verse: The Medium of Russian Modernism explores the proliferation of interartistic experiments and the emergence of new media technologies that made poetry visible as a medium in its own right.
Contents
Acknowledgments
Note on the Text
Introduction
Chapter 1. Andrei Bely's Science of Verse
Part I. Rhythm
Chapter 2. Yury Tynianov and Rhythm as Remediation
Chapter 3. Alexander Blok and the Rhythms of History
Part II. Image
Chapter 4. Viktor Shklovsky's Stone
Chapter 5. Boris Pasternak's Poetic Configurations
Part III. Voice
Chapter 6. Boris Eikhenbaum, Sergei Bernshtein, and the Melodics of Verse
Chapter 7. The Many Voices of Vladimir Mayakovsky
Conclusion
Notes
Works Cited
Index
