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基本説明
New in paperback. Hardcover was published in 2006. With fresh readings of the works, careers, and volatile receptions of Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, the authors show how senses (and sensations) of gender shape and get shaped by sign systems that prove to be arbitrary, fluid, and septible of transformation.
Full Description
Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male "effeminate," and hapless or strategic cross-dressers of both sexes. With fresh readings of the works, careers, and volatile receptions of Mary Wollstonecraft, Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, Susan Wolfson shows how senses (and sensations) of gender shape and get shaped by sign systems that prove arbitrary, fluid, and susceptible of lively transformation.
Contents
Contents Acknowledgments iii Preface iii List of Illustrations iii Chapter One On the Borderlines of Gendered Language 0 Two Women Chapter Two Felicia Hemans and the Stages of "The Feminine" 00 Chapter Three The Generations of "Masculine" Woman 000 Chapter Four Woman's Life and "Masculine" Energy: The History of Maria Jane Jewsbury 000 Two Men Chapter Five Lord Byron, Sardanapalus and "Effeminate Character" 000 Chapter Six Gender as Cross-Dressing: Don Juan 000 Chapter Seven Keats and Gender Acts 000 Chapter Eight Gendering Keats 000 Chapter Nine Sex in Souls? Texts and Abbreviations 000 Works Cited 000 Index 000