間主体性と大衆文化:バフチンを越えて<br>Intersubjectivities and Popular Culture : Bakhtin and Beyond (Cultural Memory in the Present)

個数:

間主体性と大衆文化:バフチンを越えて
Intersubjectivities and Popular Culture : Bakhtin and Beyond (Cultural Memory in the Present)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 277 p.
  • 言語 ENG
  • 商品コード 9780804756693
  • DDC分類 801.95

基本説明

Peeren's book brings the works of Russian literary theorist Mikhail Bakhtin to bear on contemporary expressions of popular culture, including the novel and television series Sex and the City, the television series Queer Folk, the films Nell and Flawless, and London's annual Notting Hill Carnival.

Full Description

Peeren's book brings the work of Russian literary theorist Mikhail Bakhtin to bear on contemporary expressions of popular culture, including the novel and television series Sex and the City, the television series Queer as Folk, the films Nell and Flawless, and London's annual Notting Hill Carnival. This selection of artifacts and events is designed to show the continuing relevance of Bakhtin's ideas for present-day literary and cultural studies and to theorize the construction and political assertion of gender, racial, and sexual identities as fundamentally intersubjective. With Intersubjectivities and Popular Culture, Peeren models a new approach to Bakhtin that moves away from the study of Bakhtin's sources and historical context in order to situate him in relation to present-day debates about identity and agency. By working through various concepts—the chronotope, performativity, the look and the gaze, the cultural addressee, accents and speech genres, translation, and territory and versioning—she demonstrates how Bakhtin's ideas are tested, transformed, and extended by their interaction with specific instances of popular culture and with the other theoretical frameworks those instances invoke.

Contents

@fmct: Contents @toc4: Acknowledgments @toc2: Intersubjectivities and Popular Culture: An Introduction @toc2: Chapter 1: Chronotopic Identities @toc2: Chapter 2: Chronotopic Belonging @toc2: Chapter 3: The Intersubjective Eye: The Look Versus the Gaze @toc2: Chapter 4: The Intersubjective Voice: Dialogism and the Cultural Addressee @toc2: Chapter 5: Resignifications: Accents and Speech Genres @toc2: Chapter 6: Identities in Translation @toc2: Chapter 7: Territories of Identity @toc2: Chapter 8: Versioning Identities @toc4: Afterword Notes Works Cited Index

最近チェックした商品