カント、ハイデガー、ラクー＝ラバルトとナンシーにおける美的表象 The Aesthetic Paths of Philosophy : Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy (Cultural Memory in the Present)

カント、ハイデガー、ラクー＝ラバルトとナンシーにおける美的表象<br>The Aesthetic Paths of Philosophy : Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy (Cultural Memory in the Present)

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カント、ハイデガー、ラクー＝ラバルトとナンシーにおける美的表象
The Aesthetic Paths of Philosophy : Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy (Cultural Memory in the Present)

Ross, Alison

ウェブストア価格 ¥5,506（本体¥5,006）
Stanford University Press（2007/05発売）
外貨定価 US$ 30.00
ポイント 50pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 277 p.
言語 ENG
商品コード 9780804754880
DDC分類 111.85

基本説明

In Kant, "aesthetic presentation" is understood in a technical sencse as a specific mode of experience within a typology of different spheres of experience. This study argues that Heidegger, Lacour-Labarthe, and Nancy generalize the elements of this specific mode of experience so that the aesthetic attitude and the vocabulary used by Kant to describe it are brought to bear on things in general.

Full Description

This book examines the ways that Heidegger, Lacoue-Labarthe, and Nancy adopt and reconfigure the Kantian understanding of "aesthetic presentation." In Kant, "aesthetic presentation" is understood in a technical sense as a specific mode of experience within a typology of different spheres of experience. This study argues that Heidegger, Lacoue-Labarthe, and Nancy generalize the elements of this specific mode of experience so that the aesthetic attitude and the vocabulary used by Kant to describe it are brought to bear on things in general. The book goes beyond documenting the well-known influence of Kant's Critique of Judgment, however, to open up a new way of approaching some of the central issues in post-Kantian thought—including why it is that art, the art work, and the aesthetic are still available as a vehicle of critique even, or especially, after Auschwitz. It shows that a genealogy of contemporary theory needs to look at the question of presentation, which has arguably been a question that has worried philosophy from its very beginning.

CONTENTS Acknowledgements Abbreviations Introduction: the aesthetic steering of philosophy 1. The formulation of the problem of presentation in Kant's doctrine of taste 2. Pragmatic anthropology in the third Critique's project of aesthetic presentation 3. Heidegger's reading of Kant and his historicization of relations of presentation 4. 'Technology' and 'art' as relations of presentation in Heidegger's thought 5. Lacoue-Labarthe: aesthetic presentation and the figuring of the political 6. Nancy: touching the limits of presentation Conclusion: the path of presentation Notes Bibliography Index