Full Description
Dropouts, renegades, utopians. Children of the urban middle class and old beatniks living alone, as couples, in families, or as groups in the small Nuevomexicano towns. When photographer Irwin Klein began visiting northern New Mexico in the mid-1960s, he found these self-proclaimed New Settlers—and many others—in the back country between Santa Fe and Taos. His black-and-white photographs captured the life of the counterculture's transition to a social movement. His documentation of these counterculture communities has become well known and sought after for both its sheer beauty and as a primary source about a largely undocumented group.
By blending Klein's unpublished work with essays by modern scholars, Benjamin Klein (Irwin's nephew) creates an important contribution to the literature of the counterculture and especially the 1960s. Supporting essays emphasize the importance of a visual record for interpreting this lifestyle in the American Southwest. Irwin Klein and the New Settlers reinforces the photographer's reputation as an astute observer of back-to-the-land, modern-day Emersonians whose communes represented contemporary Waldens.
Contents
List of PhotographsForewordDaniel KosharekPreface and AcknowledgmentsIntroductionMichael William DoyleFrom Innocence to Experience: Irwin B. Klein and the New Settlers of Northern New MexicoBenjamin Klein and Tim HodgdonThe Great Hippie InvasionLois RudnickEl Rito and the Power of Place in Sixties AmericaDavid Farber and Benjamin KleinThe New Settlers of New Mexico Photographs, 1967-19711. The Valley-Settlement2. Independence Day Celebration-The Hog Farm3. The Village Settlement4. Five Star Commune5. Light & Dark6. The Hills7. The Farm8. Visits9. Wedding Celebration New Buffalo CommuneAfterwordTom FelsNotesContributors
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