基本説明
This volume, comprising documentary studies, historical and critical essays, and case studies of individual works, reflects the broad range of current Brahms research.
Full Description
"[A] fine collection ...Each [contributor] displays an enviable command of analytic techniques with respect to harmony, counterpoint and form." - "Times Literary Supplement". George S. Bozarth provides a transcription of a little known collection of German proverbs that Brahms made in 1855. David Brodbeck relates the counterpoint study undertaken with Joseph Joachim to Brahms's troubled entanglements with Robert and Clara Schumann. Joseph Dubiel offers a sensitive analytical account of the "Piano Concerto in D Minor". John Daverio finds relevant precedents for one of Brahms's most characteristic Mischformen in Mozart. Margaret Notley presents a wide-ranging critical study of the "F-Major Cello Sonata". Ira Braus's analysis of the "Intermezzo in E Minor", op. 119, no. 2, has important implications for performance practice. Daniel Beller-McKenna reads the "Vier ernste Gesange", op. 121, against a larger cultural background.
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