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Full Description
Explores the radical political potential of close reading to make the case for a new and invigorated psychoanalytic cultural studies.
Winner of the 2009 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis
Esther Rashkin argues that psychoanalysis galvanizes, as no other discipline can, an understanding of texts in their social, historical, and political contexts. Demonstrating that close reading can be a radical political practice, she exposes heretofore unseen ideologies concealed in works of film and literature, from Last Tango in Paris to The Picture of Dorian Gray, from Barthes's Mythologies and Balzac's Sarrasine to Babette's Feast. Psychoanalytic concepts such as identification with the aggressor, the crypt, cryptonymy, illness of mourning, and the phantom allow Rashkin to reveal how shameful and unspeakable secrets propel the narratives she examines. In the process, she convincingly makes the case for a new practice of psychoanalytic cultural studies, a practice that fully engages with the politicized discourses-anti-Semitism, racism, colonialism, censorship-that mark a text's location in history.
Contents
List of Illustrations
Acknowledgments
Introduction
Vexed Encounters: Psychoanalysis, Cultural Studies, and the Politics of Close Reading
1. Devouring Loss: A Recipe for Mourning in "Babette's Feast"
2. Tortured History: Crypts, Colonialism, and Collaboration in Last Tango in Paris
3. Haunted Children, Cultural Catastrophe, and Phantom Transmissions in the "Dirty War" and the Holocaust
4. Religious Transvestism and the Stigma of Jewish Identity
5. Anticipating the Final Solution: Symbolism and the Occulted Jew in Villiers de l'Isle-Adam's Axël
6. Imperial Legacies and the Art of Abuse in The Picture of Dorian Gray
Conclusion
The Ghost of Cultural Studies
Notes
Index
