基本説明
Writing as a participant-critic, Picart suggests that both are crucial sites where bodies are packaged as racialized, sexualized, nationalized, and classed objects.
Full Description
An insider explores the transformation of ballroom dance into an Olympic sport.
Drawing on recent media portrayals and her own experience, author and dancer Caroline Joan S. Picart explores ballroom dancing and its more "sporty" equivalent, DanceSport, suggesting that they are reflective of larger social, political, and cultural tensions. The past several years have seen a resurgence in the popularity of ballroom dance as well as an increasing international anxiety over how and whether to transform ballroom into an Olympic sport. Writing as a participant-critic, Picart suggests that both are crucial sites where bodies are packaged as racialized, sexualized, nationalized, and classed objects. In addition, Picart argues, as the choreography, costuming, and genre of ballroom and DanceSport continue to evolve, these theatrical productions are aestheticized and constructed to encourage commercial appeal, using the narrative frame of the competitive melodrama to heighten audience interest.
Contents
List of Illustrations
Acknowledgments
1. The Contested Landscape of Ballroom Dance: Culture, Gender, Race, Class, and Nationality in Performance
2. Dancing through Different Worlds: An Autoethnography of the Interactive Body and Virtual Emotions in Ballroom Dance
3. Ballroom and the Movies
4. Paving the Road to the Olympics: Staging and Financing the Olympic Dream
5. Packaging Fantasy and Morality
6. Quo Vadis?
Ballroom-Dance-Related Organizations
Appendix: Filmography of Selected DanceSport and Ballroom Films
Notes
Bibliography
Index
