ポスト・フェミニズム<br>Taking a Stand in a Postfeminist World : Toward an Engaged Cultural Criticism

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ポスト・フェミニズム
Taking a Stand in a Postfeminist World : Toward an Engaged Cultural Criticism

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  • 製本 Paperback:紙装版/ペーパーバック版／ページ数 254 p.
  • 言語 ENG
  • 商品コード 9780791447161
  • DDC分類 305.4201

Full Description

Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context.

Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, "others." While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny-film, consumer culture, tourism, anthropology, and the academy-the authors theorize and demonstrate the struggles and maneuvers required to "take a stand" on a wide range of issues of significance to the contemporary cultural moment.

Contents

Acknowledgments

Introduction

1. On Shaky Ground: Shifting Terrain and the Predicaments of Postfeminism

Part I: Shifting Stance: Strategic (Re)Positioning

2. The Postmodernist Turn in Anthropology: Cautions from a Feminist Perspective

3. The Anthropological Unconscious

Part II: Taking a Seat at the Movies: Assessing Theories of Representation and Identification

4. An Oblique Look: Theorizing the "Other" as Spectator

5. Courting the Nineteenth Century: Object, Image, and Fetishistic Desire

6. Self-Help Hollywood Style: Masculinity, Masochism, and Identification with the Child Within

7. Piano Lessons: Jane Campion as (Counter)Ethnographer
Part III: On Display: Style and (Ad)dress in Consumer Culture

8. The Female Body in Postmodern Consumer Culture: Subjection and Agency at the Mall

9. Arts and Crafts Mass Marketed

Part IV: Taking a Stand: Subjects and (Dis)courses in the Academy

10. Body as Text: Young Women's Negotiations of Subjectivity

11. Interpreting Charges of Sexual Harassment: Competing Discourses and Claims

Conclusion

12. Locked In, Locked Out, or Locked Up?

Notes

References

Index