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Full Description
At the heart of crime fiction is an investigation into an act of violence. Studies of the genre have generally centered on the relationship between the criminal and the investigator. Focusing on contemporary crime fiction from the Spanish-speaking world, this collection of new essays explores the role of the victim.
Contributors discuss how the definition of "victim," the nature of the crime, the identification of the body and its treatment by authorities reflect shifting social landscapes, changing demographics, economic crises and political corruption and instability.
Contents
Table of Contents
Preface
Introduction (Shalisa M. Collins, Renée W. Craig-Odders, and Marcella L. Paul)
Spain
Expendable Commodities: Women and Children as Victims
of the Sex Trade in Contemporary Spanish Crime Fiction (Renée W. Craig-Odders)
Susana Hernández's Crime Fiction and Resolution
Through Resistance (Nina L. Molinaro)
Dying Like a Man: Feminization and Castration in Two Novels
by Lorenzo Silva (Elena Iglesias-Villamel)
Violence as Representative of Societal Ethos
in Arturo Peréz-Reverte's El francotirador paciente (Jeffrey Oxford)
Latin America
Who Is the Victim Here?: The City, the Corpse and Genre
in the Crime Novels of Ramón Díaz Eterovic (Shalisa M. Collins)
Crime and Punishment: From Victims to Avengers in Eduardo Sacheri's La noche de la Usina (Carolina Miranda)
Bodies and Other Texts: Censoring the Victim in Martín Solares's
Los minutos negros (Marcella L. Paul)
The Lost Daughters of Mexico: Crime and Impunity in David Toscana's Los puentes de Königsberg (Judy Cervantes)
Reimagining the Novela Negra: The Victim's Perspective
in "El chico sucio" (Gizella Meneses)
About the Contributors
Index
