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Full Description
The poems of Thomas Hardy (1840-1928) are key to understanding 19th, 20th and even 21st century poetry. This collection of fresh essays sheds new light on Hardy's poems--some of which have received little critical attention--from a variety of thematic and analytical approaches, offering a detailed picture of how his works are currently being read.
The contributors discuss why Hardy's poetic genius is less and less overshadowed by his career as a novelist and highlight his passionate attention to small details, his delight in "noticing things" and his "eye for...mysteries."
Contents
Table of Contents
Acknowledgments
Introduction (Adrian Grafe and Laurence Estanove)
I—Landscape into Memory
"Thinking Like a Mountain"? Hardy's Poetic Vision of "Environment" (Adrian Tait)
Reclaiming English Bones: Corporeal Commemoration in Hardy's War Poems (Melanie East)
"Wild Wavering": Between Pastoral and Elegy (Farhi Öz)
II—Misalignments
Rhyming Events and the Pessimistic Muse (Stephen Tardif)
The End Game: Thomas Hardy's Looking Glass (Richard D. Beards)
From Pessimism to Idealism: The Pressure of Paradox (Laurence Estanove)
III—Specters of Doubt and Faith
Agnosticism and Freethinking: The Influence of Leslie Stephen (Ilaria Mallozzi)
The Shadow of God in Poems of the Past and the Present (Stéphanie Bernard)
Uncomfortably Numb: "In Tenebris" (Adrian Grafe)
IV—Poetic Craft and Accidentals
Messy Feelings, Tidy Forms: "Poems of 1912-13" (Emily Taylor Merriman)
Challenging Time: Philological and Lexicographical Landscape (Emilie Loriaux)
Hardy's Crafting of Barnes (Heather Hawkins)
Punctuating Voice and Space (Charles Lock)
Epilogue: The Transcendence of Things Seen (Michael Edwards)
About the Contributors
Index
