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Full Description
Scholars examining literature from former French colonies sometimes view it wrongly as simply an outgrowth of colonial literature. By suggesting new ways to understand the multiple voices present, this book explores how Francophone African poetry and theatre in particular, since the 1960s, constitute both an organic cultural product and a reflection of the diverse African cultures in which they originate.
Themes explored in five chapters include the many kinds of African identity formation, the resistance to former notions of literary composition as art, a remapping of social responsibility, and the impact of globalization on Francophone Africa's participation in world economics, politics and culture. This study highlights the inner workings of Francophone African literature and suggests a canonization of modern Francophone works from a world perspective.
Contents
Table of Contents
Preface 1
Introduction 5
1. The Black Man's Burden and the Struggle for Independence 31
2. Oral Societies and Writing in the Language of the Oppressed 58
3. Francophone African Poetry in the Modern World 84
4. Histories, Legends and Myths in Francophone African Theatre 106
5. Writing the Female Body in Francophone African Women's Poetry and Theatre 135
Conclusion 165
Appendix I: Transcript of Barack Obama's Speech at Nelson Mandela's Memorial 173
Appendix II: Recently Published Works by Francophone Women Writers 177
Chapter Notes 181
Works Cited 189
Index 201



