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Full Description
Drawing on the works of Shakespeare and American screenwriter Joss Whedon, this study in narrative ethics contends that Whedon is the Shakespeare of our time. The Bard wrote before the influence of the modern moral philosophers, while Whedon is writing in the postmodern period. It is argued that Whedon's work is more in harmony with the early modern values of Shakespeare than with modern ethics, which trace their origin to 17th and 18th century moral philosophy. This study includes a detailed discussion of representative works of Shakespeare and Whedon, showing how they can and should be read as forms of narrative ethics.
Contents
Table of Contents
Acknowledgments
Foreword by Kim Fedderson
Introduction
One—Joss Whedon, the Shakespeare for Our Time
Two—Shakespeare's Brain and Whedon's Brains: Cognitive Theory in Narrative and Ethics
Three—Joss Whedon's "Big Brain": The Espenson Authorship Controversy
Four—Shakespeare and Popular Culture: Uses and Echos of the Bard in the Whedonverses and Ours as Well
Five—Persons, Personation and Character Development: The Transformative Nature of Narrative
Six—The Moral Imagination in Shakespeare: Pre-Modern and Early Modern Ethics
Seven—The Moral Imagination in Whedon: Post-Modern and Post-Christian Love Ethics
Eight—Reason and Rules in Ethics: The Parfit Pathology
Conclusion: Narrative Ethics in Action
Works Cited
Index