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Full Description
Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.
Contents
Table of Contents
Acknowledgments
Foreword by George Slusser
Introduction
One. Background
Two. The Moderates
F. Richard-Bessière
M.A. Rayjean
Kemmel
Chapter Summary
Three. The Extremist
Jimmy Guieu
Four. The Conservatives
Stefan Wul
Maurice Limat
Peter Randa
Kurt Steiner
Chapter Summary
Five. The Radicals
Jean-Gaston Vandel
B.R. Bruss
Chapter Summary
Six. A Last Word
Gilles D'argyre
Seven. Conclusion
Chapter Notes
Bibliography
Index



