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Full Description
Why do we watch movies? If we read in search of more life, as Harold Bloom is fond of saying, then we watch movies, this book proposes, in search of wonder. We watch movies in search of awe-inspiring visions, transformative experiences, and moments of emotional transcendence and spiritual sublimity. We watch movies for many of the same reasons that we engage in religion: to fill our ordinary evenings and weekends with something of the extraordinary; to connect our isolated, individual selves to something that is greater than ourselves; and because we yearn for something that is ineffable but absolutely indispensable.
This book, through an exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually—as well as cinematically—trained eyes to uncover these ever-present ocular gems.
In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers.
Contents
Foreword
Permissions
Also by Daniel Ross Goodman
Introduction
Chapter 1: To the Wonder
Chapter 2: Renoir
Chapter 3: The End of the Tour
Chapter 4: Nebraska
Chapter 5: Boyhood
Chapter 6: Exodus: Gods and Kings
Chapter 7: Ex Machina
Chapter 8: Adaptation
Chapter 9: Gravity
Chapter 10: Magic in the Moonlight
Chapter 11: Inside Llewyn Davis
Chapter 12: All is Lost
Chapter 13: Roger Ebert—In Memorium
Chapter 14: Hollywood, the Oscars, and the Missing Modern Jew
Chapter 15: The Great Beauty
Chapter 16: Grand Budapest Hotel
Chapter 17: The Big Short
Chapter 18: La La Land
Chapter 19: Blue Jasmine
Chapter 20: The Wolf of Wall Street
Chapter 21: Museum Hours
Chapter 22: Life Itself
Chapter 23: The Great Gatsby
Chapter 24: Tree of Life
Chapter 25: The Revenant
Bibliography
Index of Films Referenced
About the Author
