The Brass Band of the King : Armenians in Ethiopia (Armenians in the Modern and Early Modern World)

個数:
  • 予約

The Brass Band of the King : Armenians in Ethiopia (Armenians in the Modern and Early Modern World)

  • 現在予約受付中です。出版後の入荷・発送となります。
    重要:表示されている発売日は予定となり、発売が延期、中止、生産限定品で商品確保ができないなどの理由により、ご注文をお取消しさせていただく場合がございます。予めご了承ください。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 304 p.
  • 言語 ENG
  • 商品コード 9780755648450
  • DDC分類 963.20049199

Full Description

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.

Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in this book Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.

Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.

The Brass Band of the King is an original exploration of the social making of nationhood and foreignness in Africa and elsewhere.

Contents

Introduction: From the Sedentary Logic of Diasporas to the History of the Nation-State

Part I: The Genesis of an Ethiopian Political Tradition

Chapter 1
Wax and Gold: The Royal Brass Band's Unsuspected Political Role

Chapter 2
The Long Time of an Event: From Jerusalem to Jerusalem

Chapter 3
Of Immigrants and Kings: Toward a Symbolic Nationalization

Part II: The Friendship of Kings

Prelude to the History of a Collective Memory

Chapter 4
A Past that Engages the Present: The Social Stakes of the Making of Heroes

Chapter 5
Menelik's Armenians: From the Welcome as Experienced to the Sedentarization of an Imaginary

Chapter 6
Arba Lejoch: The Logical Apotheosis of a Collective Destiny

Part III: The Sedimentation of the Ungraspable

Chapter 7
From Threshold to Interstice: A Space of Decompartmentalized Sociabilities

Chapter 8
Between Stateless Person and Citizen: The Belle Époque of a Legal Gray Zone

Chapter 9
Between Färänj and Habäsha: Representations and Social Practices of Hybridity

Conclusion
Bibliography

最近チェックした商品