英国ジャーナリズムとモダニズム<br>Modernism on Fleet Street

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英国ジャーナリズムとモダニズム
Modernism on Fleet Street

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  • 製本 Hardcover:ハードカバー版/ページ数 265 p.
  • 言語 ENG
  • 商品コード 9780754653080
  • DDC分類 820.9112

基本説明

Collier discusses five modern writers - T. S. Elliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay - showing how their work takes part in contemporary debates about journalism and examinig the role journalism played in establishing their careers. In doing so, he uncovers tensions and contradictions inherent in the identity of the 'serious artist' who relied on the ephemeral forms of journalism for money and reputation.

Full Description

British modernism came of age at a time of great cultural anxiety about the state of journalism. The new newspapers, with their brief, flashy articles, striking visuals, hyperbolic headlines, and sensational news, stood at the center of debates about reading in the period, seeming to threaten the viability of representative democracy, the health and vitality of the language, and the very future of literature itself. Patrick Collier's study brings an impressive array of archival research to his exploration of modernism's relationship to the newspaper press. People who sought to make their way as writers could neither remain neutral on this issue nor abandon journalism, which offered an irreplaceable source of income and self-advertisement. Collier discusses five modern writers-T. S. Eliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay-showing how their work takes part in contemporary debates about journalism and examining the role journalism played in establishing their careers. In doing so, he uncovers tensions and contradictions inherent in the identity of the 'serious artist' who relied on the ephemeral forms of journalism for money and reputation.

Contents

Contents: Introduction; 'Illiterate with periodicals': the threat of journalism; T.S. Eliot, the journalistic struggle, and the 'dialect of the tribe'; Virginia Woolf and the conditions of reviewing; 'Tell a graphic lie': Ulysses, reform, and repression; 'What the public wants': Rose Macaulay and her publics; Strange necessities: Rebecca West on art, journalism, and the public sphere; Postscript: modernism, newspapers, and the public sphere; Notes; Works cited; Index.

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