Full Description
All sounds accompanying film are to some extent emotive, and some are literal
This special issue features articles that consider the immersive experience of film and cinema. A biannual journal, The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images.
Contents
Editorial89Listen to NiceGeoffrey Cox107Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunitiesGianluca Sergi123Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009)Jean Martin137What do we hear? The pluralism of sound design in Hollywood sound productionBenjamin Wright159The sounds of space: Social space and social listening (Part 1)Tom Lock Griffiths175Altered States, Altered Sounds: An investigation of how 'subjective states' are signified by the soundtrack of dream sequences in narrative fiction cinemaGilbert Gabriel
