Scenes from the Revolution : Making Political Theatre 1968-2018 (Library Binding)

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Scenes from the Revolution : Making Political Theatre 1968-2018 (Library Binding)

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  • 製本 Hardcover:ハードカバー版/ページ数 256 p.
  • 言語 ENG
  • 商品コード 9780745338521
  • DDC分類 792.0941

Full Description

Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain.

Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world?

Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women's theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.

Contents

Introduction: A Very Brief History of Political Theatre in the

Twentieth Century up to 1968 - Kim Wiltshire and Billy Cowan

Prologue by Lyn Gardner

Scene 1: Agitprop and Political Theatre

Introduction - Kim Wiltshire

Interview with Rod Dixon (Red Ladder) and Kathleen McCreery (Red Ladder and Broadside Mobile Workers' Theatre) - Kim Wiltshire

Apartheid: The British Connection (Extract), Broadside Mobile Workers' Theatre - Kathleen McCreery

Contemporary Protest Theatre in South Africa - David Peimer

The Lost Art of Agitprop and the Return of Socialist Praxis - Rebecca Hillman

Scene 2: Working-Class Theatre

Introduction - Kim Wiltshire

Blood Red Roses at the Liverpool Everyman - Bob Eaton

Ways of Seeing: Class, Gender and the Universal, from Blood Red Roses to The Sum - Lizzie Nunnery

Plugging into History: Time Travel with John McGrath and 7: 84 - Lindsay Rodden

Scene 3: Theatre in Education

Introduction - Anthony Jackson

Farewell to Erin (Extract), Belgrade TIE Company

Interview with Tony Hughes (M6 Theatre Company) and Justine Themen (Belgrade TIE Company) - Billy Cowan

Everyone's Got a Story to Tell ... and Their Own Way of Telling It - Julia Samuels (20 Stories High)

Scene 4: Women's Theatre

Introduction - Kim Wiltshire

Interview with Sue Parrish (Sphinx) and Mica Nava (Women's Theatre Group) - Kim Wiltshire

Work To Role (Extract), Women's Theatre Group

The Work of Open Clasp and Why Women-centred Theatre is Still Relevant Today - Catrina McHugh (MBE) and Jill Heslop

Forty Years of Women-centred Theatre-Making - Anna Hermann with Kim Wiltshire

A Conversation on Sexual Assault in Theatre - Mighty Heart and Kim Wiltshire

Scene 5: Queer Theatre

Introduction - Billy Cowan

Men (Extract), Don Milligan and Nol Greig

Interview with Julie Parker (Drill Hall, 1981-2011) - Billy Cowan

Interview with Ruth McCarthy (Outburst Queer Arts Festival, Belfast) - Billy Cowan

We Who are Here Together: (Re-)making Queer Theatre - Chris Goode

Scene 6: Theatre and Race

Introduction - May Sumbwanyambe

A Tainted Dawn (Extract) - Sudha Bhuchar and Kristine Landon-Smith

The Personal is Always Political - Sudha Bhuchar

Pokfulam Road Productions: A Political Theatre Company? - Jingan Young

Epilogue: Where Next for Political Theatre? - Billy Cowan and Kim Wiltshire

Further Reading

Notes on Contributors

Index

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