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Full Description
In the wake of the disaster of 1945—as Japan was forced to remake itself from "empire" to "nation" in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of "literature" and "politics," and the origins of what would become crucial ideological weapons of the cultural Cold War.
The volume consists of three interrelated sections: "Foregrounding the Cold War," "Structures of Concealment: 'Cultural Anxieties,'" and "Continuity and Discontinuity: Subjective Rupture and Dislocation." One way or another, the essays address the process through which new "Japan" was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.
Contents
Introduction, Atsuko Ueda, Richi Sakakibara, Michael K. Bourdaghs, and Hirokazu Toeda
Part I: Foregrounding the Cold War
Chapter 1: Early Freeze Warning: The Politics and Literature Debate as Cold War Culture, Michael K. Bourdaghs
Chapter 2: The Korean War and Disputed Memories: Kim Dal-su's Nihon no fuyu and the 1955 System, Ko Youngran, translated by Michael K. Bourdaghs
Chapter 3: Politics and Culture of Fascism, Ann Sherif
Part II: Structures of Concealment: Cultural Anxieties
Chapter 4: Cultural Resentment and Valorization in Postwar Japanese Literary Criticism: Nakamura Mitsuo's Literary History, Atsuko Ueda
Chapter 5: Small Hopes and a Terror: Katō Shūichi's and Mori Arimasa's 1955 Return from France, Doug Slaymaker
Chapter 6: Language and the People: The Amateur Writing Subject in Kindai bungaku, Shin Nihon bungaku, and Shisō no kagaku, Richi Sakakibara, translated by Atsuko Ueda
Part III: Continuity and Discontinuity: Subjective Rupture and Dislocation
Chapter 7: Temporalities of Ruin: Shiina Rinzō and the Subject of Tenkō, Seiji M. Lippit
Chapter 8: Literature at War's End: The Prosecution of Writers in Bungaku jihyō, James Dorsey
Chapter 9: From the God of Literature to War Criminal: The Media and the Shifting Image of Yokomitsu Riichi from Prewar and Wartime to the Postwar Era, Toeda Hirokazu, translated by Atsuko Ueda
