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基本説明
Fills a gap in current Japanese theatre scholarship; the book discusses the role of women in modern theatre, Butô;dance, experimental theatres that combine traditional theatre with modern forms, and plays by Abe Kôbô, Mishima Yukio, and Senda Koreya. List of contributors: Bruce Baird, Steven J. Clark, Yoshiko Fukushima, John K. Gillespie, David G. Goodman, Megumi Inoue, Margaret Key, Laurence R. Kominz, Carol Martin, M. Cody Poulton, Jonah Salz, Zvika Serper, Carol Fisher Sorgenfrei, John D. Swain, and Guhoe Zheng.
Full Description
At the heart of the development of modern Japanese culture, the theatre mirrors the issues and concerns of a society transitioning from the Tokugawa era to the modern period. Modern Japanese Theatre and Performance fills a gap in current Japanese theatre scholarship; the book discusses the role of women in modern theatre, buto dance, experimental theatres that combine traditional theatre with modern forms, and plays by Abe Kobo, Mishima Yukio, and Senda Koreya. With important contributions from both established and emerging scholars, this book is essential reading for anyone interested in theatre, modern performance, or Japanese studies.
Contents
Chapter 1 Introduction: Modern Japanese Theatre (Revisited) Part 2 Shingeki History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre? Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory: Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter 7 Poison Women and National Identity in Postwar Japanese Performance Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in Amsterdam and the Internationalization of Experimental Theatre Chapter 12 Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical Japanese Performance in a Contemporary Context: A Traditional Strategy of Juxtaposition Part 14 Specific Plays and Productions in Modern Japan Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times: Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's Only Original Modern No Play Chapter 18 "Destroying the Audience's Alibi": Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)
