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Full Description
Mary Reynolds studies the rhetorical and linguistic maneuvers by which Joyce related his work to Dante's and shows how Joyce created in his own fiction a Dantean allegory of art. Dr. Reynolds argues that Joyce read Dante as a poet rather than as a Catholic; that Joyce was interested in Dante's criticism of society and, above all, in his great powers of innovation. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contents
*FrontMatter, pg. i*Contents, pg. vii*Illustrations, pg. ix*Preface, pg. xi*Acknowledgments, pg. xiii*Editions and Abbreviations, pg. xvii*Introduction, pg. 1*CHAPTER ONE. The Presence of Dante in Joyce's Fiction, pg. 12*CHAPTER TWO. Paternal Figures and Paternity Themes, pg. 33*CHAPTER THREE. The Theme of Love: Dante's Francesca and Joyce's "Sirens", pg. 79*CHAPTER FOUR. Poetic Imagination and Lustration Patterns, pg. 119*CHAPTER FIVE. Toward an Allegory of Art, pg. 149*CHAPTER SIX: Between Time and Eternity, pg. 179*APPENDIX: JOYCE'S ALLUSIONS TO DANTE, pg. 229*Notes, pg. 331*Index, pg. 361
