- ホーム
- > 洋書
- > 英文書
- > Philosophy
基本説明
This book presents most of Herder's most important writings on aesthetics, including the main sections of one of his major untranslated works, kritische Wälder (Critical Forests).
Full Description
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Walder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality.
Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.
Contents
Acknowledgments vii Note on the Texts ix Introduction 1 Is the Beauty of the Body a Herald of the Beauty of the Soul? 31 A Monument to Baumgarten 41 Critical Forests, or Reflections on the Art and Science of the Beautiful: First Grove, Dedicated to Mr. Lessing's Laocoon 51 Critical Forests: Fourth Grove, On Riedel's Theory of the Beaux Arts 177 Shakespeare 291 The Causes of Sunken Taste among the Different Peoples in Whom It Once Blossomed 308 On the Influence of the Belles Lettres on the Higher Sciences 335 Does Painting or Music Have a Greater Effect? A Divine Colloquy 347 On Image, Poetry, and Fable 357 Editor's Notes 383 Bibliography 445 Index 449