ベンヤミン『複製技術時代の芸術作品』その他のメディア論集（英訳） The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media

Benjamin, Walter/ Jennings, Michael W. (EDT)/ Doherty, Brigid (EDT)

The Belknap Press（2008/05発売）

The Belknap Press（2008/05発売）

• 製本 Paperback:紙装版/ペーパーバック版／ページ数 448 p.／サイズ 21 half-tones
• 言語 GER
• 商品コード 9780674024458
• DDC分類 302.23

基本説明

The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known essays - some appearing for the first time in English.

Full Description

Walter Benjamin's famous "Work of Art" essay sets out his boldest thoughts—on media and on culture in general—in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the "Work of Art" essay—the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays—some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.

Contents

* A Note on the Texts * Editors' Introduction I. The Production, Reproduction, and Reception of the Work of Art * The Work of Art in the Age of Its Technological Reproducibility: Second Version * Theory of Distraction * To the Planetarium * Garlanded Entrance * The Rigorous Study of Art * Imperial Panorama * The Telephone * The Author as Producer * Paris, the Capital of the Nineteenth Century * Eduard Fuchs, Collector and Historian * Review of Sternberger's Panorama II. Script, Image, Script-Image * Attested Auditor of Books * This Space for Rent * The Antinomies of Allegorical Exegesis * The Ruin * Dismemberment of Language * Graphology Old and New III. Painting and Graphics * Painting and the Graphic Arts * On Painting, or Sign and Mark * A Glimpse into the World of Children's Books * Dream Kitsch * Moonlit Nights on the Rue La Boetie * Chambermaids' Romances of the Past Century * Antoine Wiertz: Thoughts and Visions of a Severed Head * Some Remarks on Folk Art * Chinese Paintings at the Bibliotheque Nationale IV. Photography * News about Flowers * Little History of Photography * Letter from Paris (2): Painting and Photography * Review of Freund's Photographie en France au dix-neuvieme siecle V. Film * On the Present Situation of Russian Film * Reply to Oscar A. H. Schmitz * Chaplin * Chaplin in Retrospect * Mickey Mouse * The Formula in Which the Dialectical Structure of Film Finds Expression VI. The Publishing Industry and Radio * Journalism * A Critique of the Publishing Industry * The Newspaper * Karl Kraus * Reflections on Radio * Theater and Radio * Conversation with Ernst Schoen * Two Types of Popularity: Fundamental Reflections on a Radio Play * On the Minute * Index