音楽研究入門<br>An Introduction to Music Studies (1ST)

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音楽研究入門
An Introduction to Music Studies (1ST)

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  • 製本 Hardcover:ハードカバー版/ページ数 296 p.
  • 言語 ENG
  • 商品コード 9780521842938
  • DDC分類 780.71

基本説明

All main aspects of the subject are covered, including composition, theory, world musics and music technology.

Full Description


Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. The book explains the basic concepts and issues involved in the academic study of music, draws attention to vital connections across the field and encourages critical thinking over a broad range of music-related issues. * Covers all main aspects of music studies, including topics such as composition, opera, popular music, and music theory * Provides a thorough overview of a hugely diverse subject, from the history of early music to careers in music technology, giving a head-start on the areas to be covered on a music degree * New to 'neume'? Need a reminder about 'ripping'? - glossaries give clear definitions of key musical terms * Chapters are carefully structured and organized enabling easy and quick location of the information needed

Table of Contents

        List of illustrations                      ix
Notes on contributors x
Preface xiii
Features of this book: a guide xiv
Introduction 1 (4)
J. P. E. Harper-Scott
Part 1 Disciplines 5 (90)
Music history 7 (18)
Jim Samson
Art versus history 8 (1)
Stylistic or social history? 9 (3)
Oral histories 12 (2)
Narratives in history 14 (4)
Hidden agendas? 18 (7)
Music theory and analysis 25 (18)
Rachel Beckles Willson
Introduction 25 (2)
What is analysis for? 27 (4)
What is theory for? 31 (12)
The sociology of music 43 (16)
Katharine Ellis
Introduction 43 (1)
Sociologies of music 44 (3)
The problem of ``high art'' 47 (3)
Are geniuses made, not born? 50 (1)
``Art worlds'' and the music business 51 (1)
``Cultural capital,'' social status, and 52 (7)
identity
The psychology of music 59 (20)
John Rink
What is psychology? 59 (1)
What is the psychology of music? 60 (2)
What do music psychologists do? 62 (4)
How does ``the musical mind'' work? 66 (2)
How do we learn music? 68 (2)
How do we create music? 70 (2)
What is expressed in music and how do we 72 (7)
perceive it?
Music aesthetics and critical theory 79 (16)
Andrew Bowie
Introduction 80 (1)
Analytical and Continental aesthetics 80 (1)
Subjective and objective 81 (1)
Aesthetics and history 82 (1)
Judgment 83 (2)
Absolute music 85 (1)
Form and content 86 (1)
Music, politics, and meaning: critical 87 (2)
theory
``New musicology'' 89 (6)
Part 2 Approaches to repertoire 95 (124)
World musics 97 (22)
Henry Stobart
Introduction. World Music(s): exclusions 98 (2)
and inclusions
Who studies world musics? 100 (4)
Does music have a place? 104 (2)
Can world music be mapped? 106 (2)
Sounding authentic? 108 (1)
Can we trust our ears? 109 (10)
Early music 119 (17)
Stephen Rose
What is early music? 119 (2)
How far can we recreate the music of the 121 (2)
past?
Music for the Church 123 (3)
Secular music 126 (2)
Notation and the role of the performer 128 (2)
The changing status of the composer 130 (6)
Opera 136 (18)
David Charlton
Opera as entertainment and ritual 136 (5)
Analyzing the workings of opera 141 (3)
Writing in the present 144 (2)
Opera's messages 146 (1)
Singing as persuasion 147 (1)
From semiotics to process 148 (6)
Concert music 154 (22)
Erik Levi
Introduction 154 (1)
Patronage and funding 155 (5)
Concert repertory in the nineteenth 160 (7)
century
The twentieth century and beyond 167 (9)
Jazz 176 (12)
Andrew Bowie
Introduction 176 (3)
History and context 179 (2)
Improvisation and performance 181 (3)
Jazz as ``critical music'' 184 (1)
Jazz and the academy 185 (3)
Popular music 188 (13)
Elizabeth Eva Leach
What is popular music? 188 (5)
How do we study popular music? 193 (8)
Music in film and television 201 (18)
Julie Brown
Case study 201 (2)
Dividing film music for study 203 (5)
Approaches to textual study 208 (3)
How does it fit into the history of music? 211 (8)
Part 3 Music in practice 219 (72)
Musical performance 221 (15)
Tina K. Ramnarine
What is musical performance? 222 (1)
Musical performance as experience, 223 (1)
process, and embodied practice
Musical performance as a mode of 224 (2)
interaction
Who performs? 226 (1)
Learning musical performance 227 (3)
The contexts and functions of music 230 (1)
Social and political dimensions of 231 (2)
musical performance
Studying performance in higher education 233 (3)
Composition 236 (14)
Julian Johnson
Studying composition 237 (1)
Working methods 238 (5)
Composers, performers, and audiences 243 (7)
Music technology 250 (17)
Brian Lock
Introduction: what is music technology? 250 (1)
How is it studied? 251 (1)
Composition 252 (5)
Recording 257 (1)
Composition and production 258 (1)
Composing with sound 259 (2)
Making music in home studios 261 (1)
Multimedia, film, the Web 261 (1)
Careers 262 (1)
Courses 263 (4)
The economics and business of music 267 (24)
Nicholas Cook
Snapshot of 1825: Beethoven's Ninth and 267 (4)
the music business
The rise and fall of the music profession 271 (3)
Giving music its due 274 (4)
Classical music in the marketplace 278 (5)
The music business between past and future 283 (8)
Index 291