音楽演奏:研究・実践の手引き<br>Musical Performance : A Guide to Understanding

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音楽演奏:研究・実践の手引き
Musical Performance : A Guide to Understanding

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  • 提携先の海外書籍取次会社に在庫がございます。通常約2週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 245 p.
  • 言語 ENG
  • 商品コード 9780521788625
  • DDC分類 781.43

基本説明

This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance focusing on key aspects of learning, playing and responding to music.

Full Description


This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'.

Table of Contents

Introduction  John Rink
Part I. Conceptions and Preconceptions: 1.
Performing through history Colin Lawson
2. Historical performance and the modern
performer Peter Walls
3. Analysis and (or?) performance John Rink
4. Understanding the psychology of performance
Eric Clarke
Part II. Learning to Perform: 5. On teaching
performance Janet Ritterman
6. Developing the ability to perform Jane
Davidson
7. Preparing for performance Stefan Reid
8. Memorising music Aaron Williamon
Part III. Making Music: 9. From score to sound
Peter Hill
10. Communicating with the body in performance
Jane Davidson
11. Ensemble performance Elaine Goodman
12. The fear of performance Elizabeth Valentine
Part IV. Interpreting Performance: 13.
Listening to performance Eric Clarke
14. The legacy of recordings Peter Johnson
15. The criticism of musical performance
Raymond Monelle