古代ギリシア及び中国における文学の起源<br>Authorship and Cultural Identity in Early Greece and China : Patterns of Literary Circulation

個数：
電子版価格
¥5,582
  • 電子版あり

古代ギリシア及び中国における文学の起源
Authorship and Cultural Identity in Early Greece and China : Patterns of Literary Circulation

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    【重要ご説明事項】
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版／ページ数 340 p.
  • 言語 ENG
  • 商品コード 9780521194310
  • DDC分類 881.0109

基本説明

This book explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of songs) evolved from being local, oral, and anonymous to being textualized, interpreted, and circulated over increasingly wider areas.

Full Description

In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral, and anonymous to being textualised, interpreted, and circulated over increasingly wider areas. Beecroft re-examines representations of authorship as found in poetic biographies such as Lives of Homer and the Zuozhuan, and in the works of other philosophical and historical authors like Plato, Aristotle, Herodotus, Confucius, and Sima Qian. Many of these anecdotes and narratives have long been rejected as spurious or motivated by naïve biographical criticism. Beecroft argues that these texts effectively negotiated the tensions between local and pan-cultural audiences. The figure of the author thus served as a catalyst to a sense of shared cultural identity in both the Greek and Chinese worlds. It also facilitated the emergence of both cultures as the bases for cosmopolitan world orders.

Contents

Introduction; 1. Explicit poetics in Greece and China: points of divergence and convergence; 2. Epic authorship: the Lives of Homer, textuality, and panhellenism; 3. Lyric authorship: poetry, genre, and the polis; 4. Authorship between epic and lyric: stesichorus, the Palinode, and performance; 5. Death and lingerie: cosmopolitan and panhuaxia readings of the Airs of the States; 6. Summit at Fei: the poetics of diplomacy in the Zouzhuan; 7. The politics of dancing: the Great King Wu dance and the Hymns of Zhou; Conclusion: scenes of authorship and master-narratives.