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Full Description
The first Hamlet on film was Sarah Bernhardt. Probably the first Hamlet on radio was Eve Donne. Ever since the late eighteenth century, leading actresses have demanded the right to play the role - Western drama's greatest symbol of active consciousness and conscience. Their iconoclasm, and Hamlet's alleged 'femininity', have fascinated playwrights, painters, novelists and film-makers from Eugène Delacroix and the Victorian novelist Mary Braddon to Angela Carter and Robert Lepage. Crossing national and media boundaries, this book addresses the history and the shifting iconic status of the female Hamlet in writing and performance. Many of the performers were also involved in radical politics: from Stalinist Russia to Poland under martial law, actresses made Hamlet a symbol of transformation or crisis in the body politic. On stage and film, women reinvented Hamlet from Weimar Germany to the end of the Cold War. This book aims to put their half-forgotten achievements centre-stage.
Contents
List of illustrations; Preface; 1. Introduction: The drama of questions and the mystery of Hamlet; Part I. The Women in Black: 2. Playing Hamlet, writing the self; 3. 'Is this womanly?'; 4. Virile spirits: Sarah Bernhardt and her inheritance; Part II. Case Studies: Hamlet, the Actress and the Political Stage: 5. 'I am whom I play': Asta Nielsen; 6. 'Why are you looking at me like that?': Zinaida Raikh; 7. Behind the arras, through the Wall: Poland 1989; 8. Hamlet from the margins: Spain, Turkey, Ireland; Part III. Repression and Resurgence: 9. Films and fictions: Hamlet, men's eyes and the ages of woman; 10. Women's voices in the cathedral of culture; 11. Beyond silence, imagination; Index.
