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Full Description
In this 1995 book, which includes a substantial introduction, Jeffrey Mehlman confronts the politically devastating resonances in the work of several leading French writers. The essays focus on the series of enigmas surrounding the 'Blanchot affair' - a scandal provoked by Mehlman's revelation in 1977 that Maurice Blanchot, one of the tutelary figures of contemporary French thought, had in the 1930s been a prominent fascist journalist. Mehlman takes the issue of Blanchot's forgotten political essays deep into the most revered - and misunderstood - of his novels, L'Arrêt de mort. Using this affair as a point of departure, Mehlman sheds light on the question of the usability of psychoanalysis for literary readings (examining, for example, Baudelaire, Mallarmé and Valéry); he also investigates the ideological and political connotations of similar literary and theoretical material. The volume as a whole provides a consistently provocative meditation on literature, ethics, and the experience of the French in World War II.
Contents
Acknowledgments; 1. Introduction; 2. Craniometry and criticism: notes on a Valéryan criss-cross; 3. Literature and hospitality: Klossowski's Hamann; 4. Literature and collaboration: Benoist-Méchin's return to Proust; 5. 'Pierre Menard, author of Don Quixote' again; 6. Iphigenia 38: deconstruction, history and the case of L'Arrêt de mort; 7. Writing and deference: the politics of literary adulation; 8. Perspectives: on Paul de Man and Le Soir; 9. Prosopopeia revisited; 10. The paranoid style in French prose: Lacan with Léon Bloy; 11. The Holocaust comedies of 'Emile Ajar'; 12. Pour Sainte-Beuve: Maurice Blanchot, 10 March 1942; 13. Flowers of evil: Paul Morand, the Collaboration and literary history; Appendix; Notes; Index; Series list.