Full Description
Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research developed there. Placing musique concrète within a broad historical context extending from the early twentieth-century avant-garde's experiments with noise to the development of techniques in sound recording (at the Studio d'Essai in the 1940s) and later in sound synthesis, Gayou shows how recording technology made it possible for composers to not only create music from sounds in the world around them but also create acousmatic music—novel sounds without a visible connection to their source. Available in English translation for the first time, this updated edition will be an important resource for readers interested in the pioneering works and techniques of Schaeffer and his contemporaries, as well as their influence on the makers of new music and the contemporary avant-garde.
Contents
Contents
List of Illustrations
Preface to the English Edition
Introduction
PART ONE. ORGANIZING FORGETTING: A THEMATIC APPROACH
1. Before 1948: Prehistory
2. A Name—a School—a Style of Music
3. Concepts—Pedagogy—Tools
4. Space—Concert—Audience
5. In Search of Music Writing
PART TWO. MEMORIALIZING THE FACTS: A CHRONOLOGICAL APPROACH
6. 1948-1958: The Avant-Garde of Musique Concrète
7. 1958-1968: Birth of the GRM
8. 1968-1978: End of the Schaeffer Era
9. 1978-1988: Real and Nonreal Time
10: 1988-1998: Innovation
11. 1998 and Beyond
Postscript
Notes
Bibliography—Discography
Index
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- 電子書籍
- シュガーガール,シュガードール(2) …
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- 和書
- 近世日光山史の研究
