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Full Description
Love and Despair explores the multiple and mostly unknown ways progressive and conservative Catholic actors, such as priests, lay activists, journalists, intellectuals, and filmmakers, responded to the significant social and cultural shifts that formed competing notions of modernity in Cold War Mexico. Jaime M. Pensado demonstrates how the Catholic Church as a heterogeneous institution—with key transnational networks in Latin America and Western Europe—was invested in youth activism, state repression, and the counterculture from the postwar period to the more radical Sixties. Similar to their secular counterparts, progressive Catholics often saw themselves as revolutionary actors and nearly always framed their activism as an act of love. When their movements were repressed and their ideas were co-opted, marginalized, and commercialized at the end of the Sixties, the liberating hope of love often turned into a sense of despair.
Contents
Contents
List of Illustrations
List of Abbreviations
Acknowledgments
Introduction
PART ONE
MODERNITY AND YOUTH
1 • Beauty, Cinema, and Female Youth Rebellion
2 • Student Activism during the Cold War
PART TWO
STATE VIOLENCE, PROGRESSIVE CATHOLICISM, AND RADICALIZATION
3 • Combative Journalism and Divisions within the Church
4 • Responses to the Tlatelolco and Corpus Christi Massacres
5 • The Thorny Questions of Armed Struggle and Socialism
PART THREE Part
THE COUNTERCULTURE, LIBERATION, AND THE ARTS
6 • La Onda as Liberation and the Making of La contracultura como protesta
7 • Dialogue as Love and Countercultural Cinema at UNAM
8 • Sexual Liberation and the Redemption of Homosexuality
9 • Competing Interpretations of Los Cristeros and Violent Reactions to the Counterculture
Conclusion
Appendix 1. Cinematic Representations of Youth Rebellion (1941-ca. 1964)
Appendix 2. Cinematic Representations of Youth, Liberation,the Counterculture, and Progressive
Catholicism (ca. 1961-ca. 1978)
Notes
Bibliography
Index
